theSIGNAL CULTURE
14 June 2026
"The price of apathy towards public affairs is to be ruled by evil men."
Culture
Photo: Mick Haupt / Unsplash
Hockney's vivid Yorkshire landscapes redefined how painting could capture living, shifting light.

Five Reasons Hockney Remade Art

A working-class boy from Bradford who was never supposed to attend art school, David Hockney synthesised minimalism, portraiture, and 1960s pop into something startlingly new. He dismantled traditional perspective, shifting the vanishing point behind the viewer so that paintings feel as restless and dynamic as human sight itself. …
  • Can a single artist's vision genuinely change how ordinary people see the world?
Culture
Photo: Nicholas Green / Unsplash
Emily Armstrong performs with Linkin Park at a packed rock festival crowd in 2024.

A milestone wrapped in contradiction

When Linkin Park close Download Festival at Donington Park, Leicestershire, this Sunday, their lead singer Emily Armstrong will become the first woman to headline Britain's largest rock event in its twenty-two-year history — a fact that has been celebrated and scrutinised in almost equal measure. …
  • Does one female headliner represent real progress, or merely a symbolic gesture?
"
It was all those things that you need to be a human being, smashed.
Beeban Kidron, crossbench peer and founder of 5Rights Foundation
Culture

The Peer Who Declared War on Big Tech

Beeban Kidron, filmmaker turned crossbench lord, has written the furious, funny and urgent book that Silicon Valley does not want you to read.

The sounds that reach Beeban Kidron's north London office are, in their way, a kind of argument. Children's voices float in through the open windows — a school on one side, a nursery on the other — and each shriek of playground laughter sits in quiet, pointed contrast to the darker material she has spent more than a decade collecting. Kidron, once best known for directing Hugh Grant and Renée Zellweger in Bridget Jones: The Edge of Reason, is now a crossbench peer in the House of Lords and the founder of the children's online safety charity 5Rights Foundation. Her new book, Users, is an account of her long campaign against an industry she believes has been allowed to damage childhoods with near-total impunity.

For most of the conversation she holds her composure with the practised steadiness of someone who has sat in Silicon Valley boardrooms and testified in parliamentary committees, but there is one memory that still breaks through. She describes watching a girl realise, in real time, that the person she had believed to be her friend was not; that the intimate acts she had performed had not been private; that strangers may have been watching. "It was her spirit, it was her trust, it was her sense of who she was," Kidron says. "It was all those things that you need to be a human being, smashed.

" The sentence lands with the weight of someone who chose every word carefully and regrets needing to say them at all. Users is not, however, a book that reads as a single sustained howl of grief.

Photo: Julio Lopez / Unsplash
Beeban Kidron in her north London office, where children's voices drift in from a neighbouring school and nursery.
Discuss
  • Why might a filmmaker be particularly well-suited to campaigning for children's online safety?
  • Kidron says she finds it very difficult to moderate her anger about online harms. Is anger an effective tool for changing policy?
  • The book is described as both furious and funny. Can humour make a serious political argument more or less powerful?
  • Should technology companies be legally responsible for the emotional harm their platforms cause to children?
  • If the attention economy is 'designed', who do you think bears the greatest moral responsibility — the engineers, the executives, or the users?
AFRICA · Culture
‘Once, Mandela was seen as the devil incarnate’: the TV show laying bare the true struggle against apartheid
AMERICAS · Culture
Warner Bros $111bn sale to Paramount approved by US justice department
ASIA · Culture
‘We can’t give up on Afghans’: Lyse Doucet on the remarkable ‘people’s history’ that won her the Women’s prize
MIDDLE EAST · Culture
‘I only had this father, and he’s gone’: Wafa Mustafa’s fight for truth and justice for Syria’s missing
theSIGNAL IN THE LAB
iVOCABULARY
impunitycrossbench peer
collagescrutinisedsustained
vanishing pointunder-representation
iiGRAMMAR FOCUS
Modal verbs — deduction and speculation (must have, cannot have, might have)
Use 'must have' when you are almost certain something happened, 'cannot have' when you are certain something did not happen, and 'might have' when you think something possibly happened but are not sure.
must have · cannot have · might have · been · known · realised · chosen
  1. Kidron spent years collecting disturbing testimonies before she felt ready to write Users.
  2. The girl described in the book understood that strangers were watching her — she clearly believed she had complete privacy.
  3. Peter Kyle expected Elton John to call him a moron live on television; the moment seemed to catch everyone off guard.
  4. Hockney been influenced by photography long before he began making his famous Polaroid collages.
  5. A working-class boy from Bradford imagined that his name would one day define modern British art.
  6. Some fans of Linkin Park felt conflicted when Armstrong's past associations became widely known during the comeback.
  7. Armstrong anticipated that headlining Download Festival would attract both celebration and intense public scrutiny.
iiiCOLLOCATIONS
Match the verb on the left with the noun phrase it best collocates with on the right.
  1. testify
  2. dismantle
  3. carry
  4. smash
  5. collapse
  6. frame
ivCRITICAL THINKING
All three articles feature individuals who represent both genuine progress and significant unresolved problems — Kidron's campaign that has yet to produce lasting legislation, Hockney's revolutionary art that remained the work of one exceptional individual, and Armstrong's historic headline slot shadowed by serious personal controversies. To what extent does personal complexity undermine the value of a public milestone, and is it possible — or even desirable — to separate what someone achieves from who they are?
vCREATIVE · HEADLINES
Write a headline for the top story in each of the following styles. One line each, no explanation:
  • TABLOID NEWSPAPER
  • LUXURY MAGAZINE
  • ACTIVIST BLOG
viWRITING
Beeban Kidron argues that Big Tech has been allowed to damage childhoods 'with near-total impunity'. Using evidence from the article and your own knowledge, write a formal letter to a technology executive outlining what concrete changes you believe their platform must make — and what consequences should follow if they refuse.
viiDEGREES OF EXTREMITY
Complete each ladder from mild to strong.
  • uneasy→→
  • noticed→→
  • criticism→→
  • unhappy→→
  • well-known→→
  • different→→
  • composure→→
viiiSPEAKING
  1. What price does a campaigner pay for sustained exposure to harm?
  2. Should politicians be publicly shamed by celebrities for poor decisions?
  3. Can landscape painting carry the same political weight as portraiture?
  4. Is under-representation in rock music a structural problem or a cultural one?
  5. Does personal controversy disqualify someone from being a historic milestone?