theSIGNAL CULTURE
22 October 2026
"The first duty of justice is to listen before it judges."
Culture
Photo: IONEL LAGAILLARDE / Unsplash
Westminster Magistrates Court in London, where the actor entered not guilty pleas to all six charges on Wednesday.

Noel Clarke Denies Sexual Offence Charges in London

On a Wednesday morning at Westminster Magistrates Court, the man who once ran through British television as Doctor Who's Mickey Smith stood to answer six charges, and to each of them, including sexual assault, voyeurism and exposure, Noel Clarke said not guilty. The alleged offences, involving five women, span 2007 to 2016. Granted bail, the 50-year-old actor, writer and director will appear at Southwark Crown Court on 18 November, where the accusations will be tested.
  • How should audiences treat a creator's earlier work while serious allegations await trial?
Culture
Photo: Alexander Grey / Unsplash
Rusted steel beams and stacked green bottles recreate a Ghanaian factory inside a Paris gallery.

Ibrahim Mahama Rebuilds Ghana's Ruins in Paris

In 2024 Ibrahim Mahama bought a derelict bottle factory in Ghana, and now its rusted steel beams rise inside the Fondation Cartier in Paris, its walls stacked with thousands of green bottles in Coca-Cola and Schweppes crates. Nothing here is mourned; a collapsed industry, a coup-shattered republic and fallen empires are all reclaimed as material for rebuilding. Yet the show belongs less to Mahama than to nine other artists from his three Tamale art centres, whose work he deliberately places first.…
  • Can an artist's greatest work be the opportunity he creates for others?
"
I want to flag that I wanted to go there, I take ownership.
Female complainant, speaking in cross-examination at Southwark Crown Court
Culture

In a London Courtroom, a Recorded Voice Testifies

At Southwark Crown Court, jurors are hearing a complainant's police interview against Russell Brand, who denies every charge, as cross-examination tests her memory and her choices.

There is a particular hush that settles over a courtroom when a recorded voice begins to speak, a voice belonging to someone who is not in the room but whose words must nonetheless be weighed, line by line, by twelve strangers. On Wednesday at Southwark Crown Court in London, that voice was a woman's, describing in a police interview what she says happened at Russell Brand's house in 2009. The trial involves six female complainants, allegations stretching across a decade from 1999 to 2009, and seven charges that Brand, now 51, denies: three of rape, three of sexual assault and one of indecent assault. He has said he has never engaged in non-consensual sexual activity.

The woman told detectives she first met the comedian after a show at the Hammersmith Apollo, when she was still in a relationship with someone else. She said that at their second meeting, at his home, she had agreed only to vaginal sex, and that no conversation about anything further ever took place. Six months later, the jury heard, an unexpected text arrived, saying he wanted to push her further. She says she answered that she thought he had pushed her far enough and that he had treated her like an animal, and that his reply came at once: he was sorry.

Cross-examination, as it often does, turned from what was said to what was chosen. Defence barrister Ian Winter KC suggested that she had gone to the house knowing Brand's reputation and intending to have sex with him. She agreed, adding that she wanted to be clear she had wanted to go and took ownership of that decision. The court also heard that she had been drinking beforehand, and that he had asked her to shower and brush her teeth, which the defence linked to his sobriety and which she attributed to his dislike of the smell of her hair.

Photo: IONEL LAGAILLARDE / Unsplash
Southwark Crown Court in London, where jurors are hearing recorded police interviews in the trial of Russell Brand.
Discuss
  • Why might a jury hear a recorded police interview rather than rely only on live testimony from a complainant?
  • How does cross-examination about a person's earlier choices relate to the legal question of consent in a trial?
  • The defendant denies all charges and is presumed innocent; how should media balance reporting detail with that principle?
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theSIGNAL IN THE LAB
iVOCABULARY
complainantscross-examination
deniesderelictreclaimed
granted bailtook ownership of
iiGRAMMAR FOCUS
Discourse markers — contrast and concession (Nevertheless, Whereas, Despite)
Use 'Despite' or 'In spite of' before a noun phrase or -ing form, 'Although' or 'Even though' before a full clause, 'Whereas' to contrast two facts, and 'Nevertheless' or 'However' to begin a new sentence that contrasts with the previous one.
Despite · Nevertheless · Whereas · Although · However · Even though · In spite of
  1. The woman told detectives she knew Brand's reputation; , she insisted that she had not agreed to anything beyond vaginal sex.
  2. the serious nature of the allegations, Russell Brand maintains that he has never engaged in non-consensual sexual activity.
  3. The trial concerns six complainants, Noel Clarke's case involves five women.
  4. she admitted that she had wanted to go to the house, she said that no conversation about anything further ever took place.
  5. Brand's trial is taking place at Southwark Crown Court, Clarke's first hearing was held at Westminster Magistrates Court.
  6. Noel Clarke pleaded not guilty to all six charges. , he will have to appear at Southwark Crown Court in November, where the accusations will be tested.
iiiCOLLOCATIONS
Match the verb on the left with the noun phrase it best collocates with on the right.
  1. to deny (a charge)
  2. to take (ownership)
  3. to be granted
  4. to weigh
  5. to reclaim
ivCRITICAL THINKING
Two of these stories concern public figures who are accused of serious offences but have not been convicted, while the third celebrates an artist's achievements. Consider how the tone, vocabulary and level of detail differ between the stories, and whether readers might unconsciously judge the men differently depending on how they are framed. What responsibility, if any, does a writer have to avoid language that suggests a verdict before one has been reached?
vCREATIVE · HEADLINES
Write a headline for the top story in each of the following styles. One line each, no explanation:
  • TABLOID NEWSPAPER
  • LUXURY MAGAZINE
  • ACTIVIST BLOG
viWRITING
Mahama turns a derelict factory into a gallery, giving rusted, forgotten objects a new purpose. Write a short paragraph describing a place or object in your own town that has been abandoned or overlooked, and explain what you would transform it into and why.
viiDEGREES OF EXTREMITY
Complete each ladder from mild to strong.
  • unwilling→→
  • untrue→→
  • upset→→
  • suggest→→
  • tense→→
  • worn out→→
viiiSPEAKING
  1. Should a person's reputation ever influence how others judge their claims?
  2. Why do courtroom stories fascinate the public so much?
  3. What makes an old, abandoned building worth turning into art?
  4. Is it fair to expect people to remember details from fifteen years ago?