theSIGNAL CULTURE
14 September 2026
"The price of apathy towards public affairs is to be ruled by evil men."
Culture
Photo: Elijah Ekdahl / Unsplash
Drag Race UK judges brought glittering queer visibility to British public television for eight series.

BBC drops Drag Race UK amid cuts

When Drag Race UK first aired in 2019, co-creator Fenton Bailey described placing his Portsmouth-born, Los Angeles-built production company inside the BBC as "a very special homecoming." Eight series later, that door has been shut, as the corporation axes the show to help achieve £500 million in savings. Bailey, speaking exclusively to BBC News, warned that the cancellation — alongside two LGBTQ+ dating shows — signals a deeper crisis of representation on screen. "Even at the best of times, queer culture is vulnerable," he said.…
  • Does a public broadcaster have a duty to represent minority communities on screen?
Culture
Photo: Michael D Beckwith / Unsplash
Gold detailing and grand chandeliers define Trump's controversial White House ballroom expansion project.

Gold, Concrete, and Presidential Excess

In July of last year, Donald Trump promised that his planned White House ballroom — a chandelier-heavy confection conceived to seat 650 guests at a cost of $200 million — would leave the historic building entirely untouched. Within three months, the East Wing had been demolished and its rubble dumped on a nearby golf course. What rose in its place is three times the volume of the original White House, seats 1,000 people, and will cost taxpayers an estimated $600 million — a gilded panic room, critics suggest, that tells us more about its architect's anxieties than his aesthetics.…
  • Does a leader's architectural taste reliably reveal their true political character?
"
The most powerful people in the world are preparing for the end of the world, an end they themselves are frenetically accelerating.
Naomi Klein and Astra Taylor, authors of "End Times Fascism"
Culture

When the End of the World Becomes a Business Plan

Naomi Klein and Astra Taylor argue that today's radical right is not resisting collapse — it is deliberately engineering it for profit and power.

On a morning when a sitting head of state can promise, almost in passing, that "a whole civilisation will die tonight," and when history's first trillionaire is free to amplify racist conspiracy theories to an audience of hundreds of millions, it is worth asking a simple, vertiginous question: how did we come to accept any of this as ordinary? That question sits at the restless heart of a new intervention by writers Naomi Klein and Astra Taylor, whose concept of "end times fascism" attempts to name — and thereby expose — the convergence of interests quietly reshaping democratic life across two continents and beyond. Klein and Taylor identify three interlocking factions, all largely rooted in American political and business culture. The first are religious nationalists who greet each new catastrophe as a sign of prophesied apocalypse, finding unlikely common cause with secular demagogues who promise glittering empires on the rubble of the present — a logic visible, the authors suggest, in fantasies of a rebuilt Gaza rising from the ruins of destruction.

The second faction is composed of the new tech aristocracy, whose faith in an artificial-intelligence arms race as civilisational salvation sits uneasily beside their private preparations for societal breakdown in fortified, remote compounds. The third are the political entrepreneurs who have learned to harvest fear itself, converting visions of scarcity and disorder into electoral gold. What unites all three, Klein and Taylor argue, is not pessimism but a particular, predatory relationship to the future: the most powerful people in the world are not merely watching collapse approach but are, in their phrase, "frenetically accelerating" it. The climate crisis, on this reading, is less a problem to be solved than a resource to be exploited — a permanent state of emergency in which concentrated power thrives and accountability quietly perishes.

The book arrives at a moment when a British political party is reportedly manoeuvring toward government on the rhetorical slipstream of this same international movement, which suggests that the geography of "end times fascism" is far wider than any single flag.

Photo: CJ / Unsplash
A lone figure reads against a cityscape at dusk, evoking anxious reflection on political futures.
Discuss
  • What does Naomi Klein mean when she describes today's elites as 'frenetically accelerating' collapse?
  • Is it possible for a political idea to become 'normalised' without most people noticing? How does that happen?
  • Why might wealthy tech entrepreneurs invest in both AI development and private survival compounds at the same time?
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theSIGNAL IN THE LAB
iVOCABULARY
vertiginousinterlocking
demagoguesfrenetically acceleratingpermanent state of emergency
concentrated powerrepresentation
iiGRAMMAR FOCUS
Participle clauses — present (-ing) and past (-ed)
Participle clauses use a present participle (-ing) to show an active or simultaneous action, and a past participle (-ed) to show a passive or completed action; both replace longer relative or adverbial clauses to make writing more concise.
finding · rooted · speaking · fortified · converting · demolishing · described
  1. Religious nationalists greet each new catastrophe as a sign of prophesied apocalypse, unlikely common cause with secular demagogues who promise glittering empires.
  2. The new tech aristocracy, largely in American political and business culture, prepares for societal breakdown in remote compounds.
  3. Political entrepreneurs have learned to harvest fear itself, visions of scarcity and disorder into electoral gold.
  4. Fenton Bailey, exclusively to BBC News, warned that the cancellations signal a deeper crisis of representation on screen.
  5. The East Wing, within three months, had its rubble dumped on a nearby golf course.
  6. Bailey placing his production company inside the BBC as 'a very special homecoming' when the show first launched in 2019.
iiiCOLLOCATIONS
Match the verb on the left with the noun phrase it best collocates with on the right.
  1. amplify
  2. harvest
  3. achieve
  4. convert
  5. signal
ivCRITICAL THINKING
Klein and Taylor argue that the climate crisis is being treated as 'a resource to be exploited' rather than a problem to be solved. Consider the BBC cuts and the White House ballroom alongside this claim — in what ways might the logic of exploiting crisis, rather than addressing it, apply beyond overtly political contexts? Who tends to benefit, and who tends to pay the price?
vCREATIVE · HEADLINES
Write a headline for the top story in each of the following styles. One line each, no explanation:
  • TABLOID NEWSPAPER
  • LUXURY MAGAZINE
  • ACTIVIST BLOG
viWRITING
Using evidence from at least two of the three articles, argue whether the figures described — political leaders, tech billionaires, and media institutions — are primarily driven by ideology, by financial self-interest, or by both.
viiDEGREES OF EXTREMITY
Complete each ladder from mild to strong. Fill in the missing word or phrase at each level.
  • concerned
  • reduced
  • unusual
  • share
  • nervous about the future
  • speed up
viiiSPEAKING
  1. Can fear alone win elections without any policy substance?
  2. Which community losing screen representation would worry you most?
  3. Is prophecy of collapse ever a self-fulfilling political strategy?
  4. When does a public building stop belonging to its country?