theSIGNAL CULTURE
6 September 2026
"Art is the lie that enables us to realise the truth."
Culture
Photo: Haseeb Jamil / Unsplash
A young woman in a sari walks through a sunlit Indian university courtyard in the 1950s.

India Made Gloria Steinem Who She Was

When Gloria Steinem's plane touched down in Bombay in 1957, she was twenty-two years old, newly free of an engagement she had described as feeling like "the end of life", and carrying a Chester Bowles fellowship that had brought her, at last, to the country she had always longed to see. Driving from the airport into Delhi, she encountered poverty that shattered her romantic vision of jewelled elephants and ageless beauty. She moved into Miranda House at Delhi University, adopted the sari, and began the long, listening education she would later credit as the origin of everything she became.…
  • Can living in another culture change a person's entire life philosophy?
Culture
Photo: Sergiu Nista / Unsplash
Paul Mescal, Jacob Elordi, and others are reportedly auditioning for cinema's most coveted spy role.

Who Will Be the Next James Bond?

Only six actors have ever played James Bond in the official film series — fewer, as one writer noted with some relish, than the number of British prime ministers produced in the last decade alone. The last casting announcement came in 2005, which means the anticipation surrounding the next 007 has been building, quietly and then loudly, for twenty years. Names such as Jacob Elordi, Jack Lowden, Callum Turner, and Aaron Taylor-Johnson have circulated for so long that they feel almost familiar. More recently, Paul Mescal — whose rise from the Irish miniseries *Normal People* to the Roman colosseum of *Gladiator II* has been nothing short of cinematic — is said to have joined the audition list, alongside Jack Barton of *Heartstopper* fame.…
  • Should a beloved franchise character ever be recast with a different gender or nationality?
"
You knew that there would be very few survivors — you knew it then.
Phil Buehler, artist and photographer
Culture

144 Faces, 24 Panels, One Unbearable Hope

A Brooklyn church becomes a quiet monument as photographer Phil Buehler finally opens the box he could not bear to look at for twenty-five years.

On the morning of September 11, 2001, Phil Buehler stood at his office window and watched the Twin Towers fall. He had been photographing the World Trade Center since 1973, when he was sixteen years old and the buildings were still new to the Manhattan skyline — so the sight carried a particular, personal weight, the kind that settles into the body rather than simply the mind. By evening, he had spotted the first of what would become an overwhelming tide of hand-made posters: a single sheet taped to a bar window in Tribeca, the word "Missing" printed in hasty letters above a face that would, almost certainly, never come home. Over the weeks that followed, Buehler cycled through a city made strange by silence, photographing those posters wherever they appeared — on subway grates, on chain-link fences, on the glass fronts of neighbourhood stores.

Shrines bloomed in Union Square and Washington Square Park with the urgent, improvised beauty of things made in grief. He amassed more than 500 images before placing them in a box on a high shelf, where they remained, unseen, for nearly a quarter of a century. "You knew that there would be very few survivors," he recalls. "You knew it then.

" Now, as the twenty-fifth anniversary arrives, Buehler has finally returned to that box. The resulting installation, *Countenance: The 9/11 Missing Posters*, opens this week at Most Holy Trinity – St Mary's church in Brooklyn, where 144 photographs are printed on 24 translucent vellum panels, arranged in vertical pairs that quietly echo the shape of the towers themselves. Each poster in the exhibition was, in its moment, a radical act of hope — a plea directed at the indifferent city — and each one, displayed now in candlelit stillness, asks the visitor to consider what it means to search for someone who is already, in every likelihood, gone. Buehler himself had been invited to a breakfast meeting at the Windows on the World restaurant at the top of the north tower that morning, but had declined; a friend who intended to go was delayed and survived.

Photo: pott mockups / Unsplash
Translucent vellum panels hold 144 missing-person photographs inside a Brooklyn church, recalling the Twin Towers' silhouette.
Discuss
  • Why might a photographer wait twenty-five years before sharing images he had already taken?
  • What does it mean when a community responds to tragedy by making art in public spaces?
  • Should the grief of a specific nation ever be considered a universal cultural inheritance?
EUROPE · Culture
The Bayeux tapestry: a stupefying, thrilling, horrifying masterpiece that shakes the earth
AMERICAS · Culture
‘Why not try to be the best in the world, just for the fun of it?’ Art Garfunkel on a rich, restless life – and reconciling with Paul Simon
ASIA · Culture
The rise of south-east Asia’s girl bands: ‘The talent and popularity were always here’
OCEANIA · Culture
Colin from Accounts: a show so fearless and hilarious that I want to get a tattoo of it
theSIGNAL IN THE LAB
iVOCABULARY
translucentimprovised
amassedindifferentcirculated
anticipationfellowship
iiGRAMMAR FOCUS
Subjunctive mood — It is essential that he be, I suggest she leave
The subjunctive uses the base form of a verb (without -s, -es, or auxiliary 'do') after expressions like 'it is essential/vital/recommended that' or verbs like 'suggest', 'insist', 'demand', and 'require'. The base form is used for all subjects, including he, she, and it.
be · remain · leave · consider · return · document · receive
  1. Curators of the *Countenance* installation insist that every visitor the full 24 panels before forming a view of the work.
  2. It is essential that the church open to the public throughout the entire run of the exhibition.
  3. Buehler's friends suggested that he to the box of photographs before the twenty-fifth anniversary passed.
  4. It is vital that historians the role India played in shaping Gloria Steinem's political outlook.
  5. The producers of the Bond franchise demand that the next 007 unnamed until a formal announcement is made.
  6. Many critics recommend that audiences what it truly means to search for someone who may already be gone.
iiiCOLLOCATIONS
Match the verb on the left with the noun phrase it best collocates with on the right.
  1. amass
  2. shatter
  3. credit something as
  4. build
  5. echo
ivCRITICAL THINKING
All three articles feature people whose identities were shaped by a single, pivotal moment — a disaster witnessed from a window, a flight to a foreign country, a casting decision. To what extent is it useful, or even accurate, to locate the origin of a life in one defining event rather than in the slow accumulation of smaller experiences?
vCREATIVE · HEADLINES
Write a headline for the top story in each of the following styles. One line each, no explanation:
  • TABLOID NEWSPAPER
  • LUXURY MAGAZINE
  • ACTIVIST BLOG
viWRITING
Gloria Steinem's fellowship reports and Phil Buehler's archive both became historical records that neither creator originally intended for public use. Write a short paragraph arguing whether private documents and personal photographs should ever be made public without the explicit consent of their creator.
viiDEGREES OF EXTREMITY
Complete each ladder from mild to strong. Choose the missing word or phrase from the article or use your own vocabulary.
  • noticeable
  • sad
  • surprised
  • well-known
  • interested in
  • quiet
viiiSPEAKING
  1. Which of the three articles moved you most, and why?
  2. What kind of space is most fitting for displaying art about collective loss?
  3. Does a person need to experience hardship abroad to develop real empathy?
  4. How long should anticipation around a cultural event be allowed to build?