theSIGNAL CULTURE
9 July 2026
"A nation that loses its public culture loses its memory."
Culture
Photo: Nicholas Green / Unsplash
Justin Bieber performs live on stage before a vast, expectant crowd.

Bieber, BTS and Shakira to close World Cup

On 19 July, the MetLife Stadium in New York will host something the World Cup has never seen before: an eleven-minute, Super Bowl-style half-time spectacle curated by Coldplay's Chris Martin, featuring Justin Bieber, Madonna, BTS, Shakira, and Nigerian artist Burna Boy. Shakira and Burna Boy's collaboration "Dai Dai" has already become the tournament's unofficial anthem, drifting through stadiums from Mexico City to Boston since the record-breaking 48-team competition kicked off on 11 June. The performance will raise funds for the FIFA Global Citizen Education Fund, which is working toward a $100 million target for children's education worldwide — a goal that, like the tournament itself, remains beautifully unfinished.
  • Should major sporting events use their platform to raise money for education?
Culture
Photo: H Williams / Unsplash
Dwayne Johnson's elaborate wig for Maui has become an unexpected cultural phenomenon online.

The Wig That Broke the Internet

When Disney cast the very bald Dwayne "The Rock" Johnson as the magnificently long-haired demigod Maui in its live-action Moana remake, a collision of mythological proportions was always inevitable. The solution — a flowing wig that the internet has gleefully described as "fighting gravity, the wind, and its own contract obligations" — has generated more cultural commentary than the film itself seems likely to deserve. Johnson, to his considerable credit, told a red-carpet reporter that the memes made him laugh "so fucking hard," which may be the most heroic thing any demigod has ever said.
  • Should actors ever be recast when their appearance conflicts with iconic animated characters?
"
Our drama would become increasingly narrowly focused on things that drive subscription under a Netflix-style system.
Samir Shah, Chair, BBC
Culture

BBC's New Chief Calls Licence Fee a 'Busted Flush'

Matt Brittin, the BBC's first director general from Silicon Valley, has told Parliament that the corporation's century-old funding model must be fundamentally reimagined.

Six weeks into a job that few in British broadcasting had anticipated going to a former Google executive, Matt Brittin stood before the House of Commons Culture, Media and Sport committee on Wednesday and delivered a verdict that was as blunt as it was historic: the television licence, the £180-a-year instrument that has funded the BBC for generations, is, in his words, "yesterday's model" — a busted flush that is no longer fit for purpose. The BBC's funding crisis has been building quietly for years, like water behind a dam. Only 80 per cent of British households now pay the licence fee, a figure that has been falling steadily as younger audiences migrate to streaming platforms that owe nothing to the Reithian tradition of public-service broadcasting. Brittin and BBC chair Samir Shah together suggested to MPs that a compulsory household levy — collected not through a dedicated licence but through existing utility bills such as broadband, mobile or electricity — could replace the current system, and that if applied universally, it might actually reduce the cost to individual households.

The government has previously ruled such a levy out, citing concerns about the cost of living, though Brittin acknowledged those concerns while arguing the idea "has merits. " What gives this debate its sharpest edge, however, is not the mechanism of collection but the question of what the BBC would become under any commercial alternative. Brittin warned that advertising or subscription funding would force the corporation to abandon services that the market does not reward: children's news programmes, local journalism, the quieter corners of public culture that no algorithm optimises for.

Photo: Ruben Hanssen / Unsplash
The BBC's headquarters at Broadcasting House in London, home to a broadcaster facing its most consequential funding debate in decades.
Discuss
  • What does it mean for a society when public broadcasting depends on commercial revenue to survive?
  • Should a household levy collected via utility bills be considered a tax? Why or why not?
  • How does the decline of public broadcasting affect people in countries that have never had a strong public broadcaster?
AMERICAS · Culture
Utah boarding school where Paris Hilton alleged abuse as a teen loses its licence
EUROPE · Culture
Harry loses High Court privacy case against Daily Mail publisher
GLOBAL · Culture
Party Rock Anthem singer Lauren Bennett dies aged 37
WORLD · Culture
Sleuthing sheep, Young Sherlock and a new Poirot: how amateur detectives took over our screens
theSIGNAL IN THE LAB
iVOCABULARY
busted flushfit for purpose
compulsory household levyReithian traditionalgorithm optimises for
unofficial anthemmythological proportions
iiGRAMMAR FOCUS
Mixed conditionals — past condition with present result
Use 'If + had + past participle' in the if-clause (past condition) and 'would/wouldn't + infinitive' in the main clause (present result) to show that a past event is affecting the current situation.
would be · wouldn't be · would have · hadn't migrated · hadn't hired · hadn't collaborated · hadn't cast
  1. If younger audiences to streaming platforms, the licence fee would still be a viable funding model today.
  2. If the BBC falling revenues for years, Brittin wouldn't be calling the licence fee a busted flush now.
  3. If the government had accepted a household levy earlier, individual households facing such high costs today.
  4. If Chris Martin Shakira, Bieber, and BTS, the World Cup closing ceremony wouldn't be the spectacle it is now.
  5. If Shakira and Burna Boy on 'Dai Dai', the tournament wouldn't have such a powerful unofficial anthem today.
  6. If Disney Dwayne Johnson as Maui, the internet ___ full of wig memes right now.
iiiPHRASAL VERBS
Match the phrasal verb (1–6) to its correct definition (A–F). All six appear in today's articles.
  1. 1. kick off
  2. 2. migrate to
  3. 3. rule out
  4. 4. optimise for
  5. 5. drifting through
ivCRITICAL THINKING
The BBC's new chief came from Google, a company that profits from targeting audiences algorithmically — yet he now argues the BBC must protect content that no algorithm would ever prioritise. How convincing do you find that argument, and what does it suggest about the relationship between commercial experience and public-service values?
vCREATIVE · HEADLINES
Write a headline for the BBC licence fee story in each of the following styles. One line each, no explanation:
  • TABLOID NEWSPAPER
  • LUXURY MAGAZINE
  • ACTIVIST BLOG
viWRITING
The article suggests that some corners of public culture are simply 'not what any algorithm optimises for.' Choose one specific type of BBC content that you think would disappear under a commercial model, and argue why its loss would matter beyond the audiences it currently serves.
viiDEGREES OF EXTREMITY
Complete each ladder from mild to strong.
  • not current→→
  • suggested→→
  • moving→→
  • small→→
  • limit→→
  • growing→→
viiiSPEAKING
  1. Which BBC service would you miss most if it disappeared?
  2. Can a wig genuinely damage a film's commercial success?
  3. Should politicians decide what public broadcasters are allowed to broadcast?
  4. Does a global music event truly benefit local cultures?