Summit Photo 2026 gathers photojournalists from four continents to force a reckoning with flooding, famine, and ecological collapse.
A man earns 500 naira a day — roughly a quarter of a British penny — after bandits drove his family from their farm in Zamfara, north-western Nigeria. His wife, Bashirya Murtala, now shelters with their two-month-old daughter, Rahila, inside a half-built structure known locally as the Emir's Palace in Anka. Their story, captured by photojournalist Simon Townsley, is one of dozens confronting visitors at Summit Photo 2026, the Royal Geographical Society's annual interactive forum, which runs from 17 to 19 July in London and online. The exhibition does not arrange its images by geography or theme so much as by a single, accumulating argument: that ecological breakdown and human suffering are not separate emergencies.
James Balog's aerial photograph of a wildfire flame front near Fort Providence, in Canada's Northwest Territories, sits in the same visual conversation as Gideon Mendel's portrait of Terrence McKeen and his mother, Gloria, who wept together when they returned to their flooded home in Middleburg after Hurricane Irma had pushed more than 28 feet of water over their one-storey house. "Climate change played a big part in this," McKeen says plainly. Equally unsparing is Shahidul Alam's documentation of shipbreaking workers in Chittagong, Bangladesh, who carry metal sheets weighing up to a ton across slippery mud — barefoot, singing in unison to avoid a fatal misstep. Deaths on the yards, workers report, are frequently unregistered.