Somewhere between a timber frame and a coat of pink paint, a small house is taking shape inside the Seven Sisters Latin Village in north London — and with it, an argument about who, exactly, belongs to British culture. The structure is a replica of La Casita, the archetypal Puerto Rican dwelling that has anchored the stage sets of Benito Martínez Ocasio, known to the world as Bad Bunny, throughout his recent touring life. Millions first encountered it during the Super Bowl half-time show, where the rapper performed before a live television audience of 128 million, weaving a pluralistic and quietly defiant portrait of what America could mean. Now the little pink house has crossed the Atlantic, and it is being assembled by hands that belong to a community Britain has never quite learned to count.

That invisibility is, in itself, a kind of story. The UK census offers no Latino category, which means that a population estimated at roughly 450,000 — and possibly closer to a million — exists in a statistical shadow, its Colombians, Ecuadorians, Bolivians, and Brazilians largely concentrated in London, largely uncounted. Against this backdrop, the news that approximately 100,000 people will fill Tottenham Hotspur Stadium across two nights this weekend carries a weight that exceeds the ordinary logic of a concert tour. These will be the largest Spanish-language shows ever staged on British soil, and they are happening while the performer sings exclusively in a language that has historically limited a musician's reach in English-speaking markets.

Jacobo Belilty, coordinator of the Coalition of Latin Americans in the UK and the man overseeing the construction of La Casita, chooses his words with the care of someone who has spent years making a case to an inattentive audience.